Throwback Thursday – Deadpool (again) and more!

Once again I’ve gone scrolling through my archives and found a few oldies but goodies (along with a couple that are JUST oldies).

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Deadpool bookmark commission

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Gwenpool sketch cover front…

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…and back.

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Scarlet Witch sketch card

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Winter Soldier sketch card

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Throwback Thursday – Deadpool

Hey everybody! This week I’m celebrating Throwback Thursday, as well as the lomg-awaited release of “Deadpool 2” by sharing a couple of past commissions featuring the Merc with a Mouth, along with a few new pieces, including a couple never-before seen sketches!

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Bookmark – Deadpool eating a taco.

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Sketch cover – very early attempt at using Copics. Commissioned at the first ever Topcon Geek Expo.

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Sketch card – most recent drawing of good ol’ Wade, still currently in my inventory.

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Cable

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Domino

These last two are brand new sketch cards, currently in progress, featuring Deadpool’s newest co-stars Cable and Domino. I plan to have these two cleaned up and colored by the time I catch the film this weekend. Have a great week!

#FanArtFriday – X-Men

Happy Friday, everybody! I decided to use this space to unveil some of my finished pieces, though a couple of these you may have seen before via Twitter or Instagram. I started working on these last fall for Inktober and just now got around to finishing the backgrounds. The theme of this series was “80’s Era X-Men”, using characters and costumes from the classic Claremont/Byrne run of “Uncanny X-Men.” I may add a few more eventually but I’ve already started on a series inspired by their early 90’s series, my personal favorite era since that was when I first discovered the Merry Mutants.

The below pieces were inked and colored using a combination of Microns, Prismacolors, Copic markers and multiliners.

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Jean Grey (Phoenix)

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Nightcrawler

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Cyclops

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Storm

 

Commissions and such!

Happy Wednesday, everybody!  I had a blast at Little Apple Comic Expo this past Saturday and wanted to share a few highlights from the show:

Sketch cards of America Chavez and Laura Kinney, aka the All-New Wolverine (above);  Rocket & Baby Groot and Captain Marvel (below)

These were compilations by various artists at the show centered around a specific theme; on the left, Spider-Man villains; and on the right, Batman villains (above)

Close-ups of my contributions: Green Goblin and Poison Ivy (ab0ve)

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Sketch card commission of an Umbreon from “Pokémon” (above)

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Did this last commission for a nice couple of their son as a Pokémon trainer, and Pikachu (above)

Throwback Thursday: Hawkeye

Happy Thursday!  I’m starting a new thing around here, where every week, I’ll post something new (or rather, old) for Throwback Thursday.  To start, here’s a piece I did almost four years ago.  This was one of the very first sketch covers I ever drew, and the first one I ever sold, admittedly for much cheaper than I should have.  To be fair, I was new to this whole “drawing for money” thing, so I had no idea how much to charge.  Even now, I occasionally second guess myself.

But alas.  I’ve done a bunch of covers since, but this is still one of my absolute favorites.  I present to you, my Young Avengers cover, featuring Kate Bishop, aka Hawkeye:

YA Kate Bishop sketchcover color

This weekend’s comic book reviews

Since I read a lot of comics, I’ve decided to share my thoughts on a few I read this past weekend.  Who knows, maybe something will peak your interest?  And if you have read them, let me know!  Agree, disagree?  Feel free to comment below!

Harbinger #20 (Valiant Comics)

Harbinger has been a brilliantly weird comic since the Harbinger Wars event ended but Valiant’s flagship superhero title is finally getting into more serious territory. The story jumps around a bit from the apparently very near future back to the present where perennial villain Toyo Harada is still on the hunt for new psiots to join his foundation, while also searching for former protégé Peter Stanchek and his “Renegades.” Peter and the team get very little screen-time, as this issue deals almost entirely with Harada and the fallout from his “mind squall” in the previous storyarc.  We’re also introduced to a new psiot in the form of @X (no, not a misspelling), who seems poised to take on a much bigger role as the series continues. While it falls under the banner of “Must-Read Valiant”, and it is the start to a new arc, a basic understanding of the series almost seems essential to the book’s enjoyment. A lot has happened with these characters of late and this issue in particular, while good, hardly seems like a good starting point for new readers.

Joshua Dysart’s writing is as solid as ever and his handling of Harada demonstrates why the powerful businessman is one of the most formidable and complex villains in comics right now. Art duties are handled by Harbinger Wars’ own Clayton Henry and his work is just plain brilliant. Seriously, the man is a beast and the Valiant universe is lucky to have him. The coloring by Brian Reber is fantastic and really makes the book look and feel fantastic.

While hardly a good jumping-on point, if you’re a fan of the Valiant Universe or you’re just looking for a different take on superheroes, Harbinger is a book worth trying. And if the solicits are any indication, crazy stuff is about to go down very, very soon.

Score: 7.5

High Crimes #1 (Monkeybrain Comics)

High Crimes by Christopher Sebela, with art by Ibrahim Moustafa, is a mystery, yet not in the traditional sense. See, there’s a lot going on in this book and the real mystery is how it all ties together. It’s also very weird. The discovery of a dead body in the snow is just the start as we’re introduced to a down-on-her-luck former snowboarder who now works with a private investigator (like I said, it’s weird) and the pursuit of a possible murderer who is also the target of what appears to be a clandestine black-ops team run by a trigger-happy individual that makes “Thunderbolt” Ross look positively rational. The premise is intriguing and there is enough going on to keep this reader clamoring for the next chapter.

Score: 8.0

She-Hulk  #1 (Marvel Comics)

She-Hulk has been the source of many unique takes on super-heroics. Her Sensational series broke the fourth wall and gave the jade giant a self-deprecating sense of humor. Her previous series played like a David E Kelley joint, with a satirical bent, a quirky supporting cast, and a willingness to show heroes and villains in a procedural light. This time around the emphasis is more on lawyering and it certainly “serves” the character well, terrible pun intended.

When not writing half the books on the stands, writer Charles Soule is a practicing lawyer, so he knows his stuff and uses it to his advantage. This is a smartly written book that doesn’t skimp on the humor. Soule writes Jen as a smart, sassy woman who is only too happy to demonstrate her wit and intelligence but still isn’t afraid to go all “Hulk smash” if the opportunity arises. Jen is also gorgeous to boot, thanks to the amazing work of Javier Pulido, whose attention to detail and innovative layouts makes this book as fun to look at as it is to read. Muntsa Vicente’s colors shine as well, delivering a beautiful palette that brings every page to vibrant life.

If you’re a fan of more character-driven books like Hawkeye, or you just like your superheroes using terms like “litigation” and “counter-suit”, She-Hulk deserves a place on your pull-list.

Score: 9.0

Old School Comic Reviews: Punisher 2099 #1

Ah, the 90’s.

If you were a comics fan during this decade, chances are you picked up something that was just overflowing with testosterone, whether it be big guns, big boobs, or tiny, tiny waists and ankles.  If you don’t know what that means, I refer you to the amazing works of Rob Lifeld.  Comics in the 90s were like action films of…well, the 90’s: big, boisterous, super-violent and without a single trace of logic.  Good times.

In 1992, Marvel Comics published an imprint dubbed Marvel 2099, which featured futuristic takes on a number of their most popular properties: Spider-Man, Hulk, the X-Men, and even Dr. Doom received the 2099 treatment.  And so, of course, did the Punisher.  This Punisher, despite the resemblance, is not Frank Castle, who is long dead and gone as we learn late into the issue.  This ‘roid-infused vigilante is Jake Gallows, a cop whose family is gunned down in front of him (even in the future, origins are derivative) and when their murderer is allowed to walk, decides to take matters into his own hands.

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The story doesn’t take every cue from Castle’s origin but it may have benefitted from making the “hero’s” loss more tragic.  Rather than losing his wife and children, Gallows sees his mom, brother, and sister-in-law killed before his very eyes.  Not that it isn’t tragic but it just seems like there could have been a greater emotional connection to the character had his loss been greater.  The ways in which the characters are dispatched are weird; books under the Comic’s Code Authority were not allowed to show much, if any blood, and violence was much more subdued back then.  One of the characters is blasted by a weapon that seems to hypnotize the character, while simultaneously blowing them to pieces. Or something. It’s weird.

The story, by Pat Mills and Tony Skinner, is fairly one-note: it starts by showing the Punisher in action, brandishing some ridiculous but pretty rad weaponry, before delving into flashbacks to show how he came to be.  They present their protagonist as basically Frank Castle but in the future and with crazy armor.  He also seems to be pretty much on his own; no mention of superheroes apart from the fact that his family are members of the Church of Thor.  Yep, Thor has his own church because that’s how Gods work.  Tom Morgan’s very dated art doesn’t fare much better as it’s all typically 90’s: every single character looks like an extra from a Van Damme movie, while Gallows looks exactly like his predecessor, with little to set the two apart.  It’s also interesting to note the giant skull emblazoned on his entire torso, with the teeth coming to rest seemingly as armor on his crotch.

Gallow’s decent into becoming an anti-hero is not without merit and certainly when we discover, through one final flashback, that Gallows has in his possession Frank Castle’s War Journal, his transformation is complete, if not a little formulaic.  In the last page of the journal, Castle beckons the reader to “carry on [his] work.”  Gallows certainly does and while it’s entertaining, he’s not your daddy’s Punisher.  And ultimately, that’s a shame.

In the book’s defense, that might just be the best line ever written.